Lantana Camara “Flamenco” (as far as I could identify), in Parc de Bercy (Paris).
Sketched with a Cretacolor 6B graphite lead, final drawing with a Kuretake Fudegokochi brush pen.
Lantana Camara “Flamenco” (as far as I could identify), in Parc de Bercy (Paris).
Sketched with a Cretacolor 6B graphite lead, final drawing with a Kuretake Fudegokochi brush pen.
Cassandre se met sous la protection de Pallas, Aimé Millet, 1877. A marble sculpture in the Jardin des Tuileries (Paris).
Sketched with a Cretacolor 6B graphite lead, final drawing done with a Kuretake Fudegokochi brush pen.
Flore, Aristide Maillol, 1910. A bronze sculpture in the Jardin des Tuileries (Paris).
Sketched with a Cretacolor 6B graphite lead, final drawing with a Pilot Futayaku brush pen (which I didn’t find as comfortable as the Kuretake Fudegokochi).
La Harde de cerfs écoutant le rapproché, Arthur Le Duc, ca. 1885. A bronze sculpture in the Jardin du Luxembourg (Paris).
Sketched with a Lyra Titan 8B woodless pencil, final drawing with a Kuretake Fudegokochi brush pen.
The Opéra Bastille, Paris, while waiting for the police to let us out from a kettle during the July 5th protests.
Drawn with a Kuretake Fudegokochi brush pen.
Two drawings, because why not. Le Lion de Nubie et sa Proie, Auguste Caïn, 1870, and Clémence Isaure, Auguste Préault, 1848. A bronze statue and a marble statue in the Jardin du Luxembourg, Paris.
Sketched with a Lyra Titan 8B woodless pencil, final drawing with a Kuretake Fudegokochi brush pen. Both drawings look decent, but they initially featured anatomical errors of Rob Liefeld proportions, so I had to fix a few areas using The Gimp.